Ex Machina uses the sci-fi medium of the
future to explore the creation of a perfect woman. Putting forward the
question, what can be artificially created? Consciousness, love and life are
all examined in this film. The innocent thrust into this situation is Caleb (Domhnall Gleeson), a
programmer for Blue Book, the near future's dominant search engine, who is
summoned to the research facility and retreat run by his boss, genius mogul
Nathan (Oscar Isaac). In a luxury home that goes into lockdown, the
inhabitants are Nathan, his maid Kyoko (Sonoya Mizuno ) and Ava (Alicia
Vikander), a striking mix of moulded female form, glowing blue cables and a
digital brain. Similarly to Blade Runner creates a cautionary tale about
Playing God and does so through a chilling relationship between Caleb and the
robot Ava. Garland does a magnificent job of foreshadowing and allusion
throughout the film and the mis-en-scene of the film is cultivated through a minimalist
scape and setting. Ex Machina gets a haunting 4/5 stars.
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